26. for Amanda A poem should not be a bee because that is problematic vis-à-vis the historical development of technologies of representation. For instance I number my poems in the margins because I can’t count. Moreover, I am saying all of this out loud. That’s fucked up dude. And like in certain fashionable readings the most authentic place about Satan of all the Satan-places is — well you can’t kill an idea, Kvlt Ov Azazel is from Florida, you nerds. And what about what about makes it so versatile, a regular yellow bowl? I have been trying to turn into a pamphlet ever since I found out the pregnant daughter from Hemlock Grove was the new witch on The Vampire Diaries. If you think about it of course I’m leading up to a vivid image of Bigfoot-like proportions, but it’s a joke, it’s signed Beelzebub. 29. for Sohmer Blair and Chuck Waldorf, gay in space! my OTP tbh — I’m all about the long game of dissimulation qua seduction wherein this is and is not a response to Sir Philip Sidney… well, it’s not that, but it’s not not that either. When one sits down to write one puts one’s back and heart into it, hence considerable pain and the illusion of desire to be, what, free? how is that possible when I must go on forever since learning scansion — “Gorgoroth” and “permafrost” are both the same — in the absence of a ground for irony… — so it’s like this: Nate Archibald bro-nodding on an infinite loop as praxis gets the heart all worked up, and then you’re like “I’m feeling pretty implicated…” You’re so perfect you probably think this poem is shitty because of you and you’re right. This song is not that at all, but it’s not not that.
Issue
7